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With help from genealogy websites and other digital tools, millions of people are on quests to recover family history, seeking to learn about themselves by tracking down ancestors.

This year鈥檚 Distinguished Visiting Humanist, Hazel Carby, has spent 10 years investigating her own roots in Jamaica and Wales. But her aim has been more than personal. With her forthcoming book, Imperial Intimacies: A Tale of Two Islands, Carby鈥攖he Charles C. and Dorothea S. Dilley Professor of African American Studies at Yale鈥攑robes the legacies of empire and slavery.

Born in Devon, England, in 1948 to a Welsh mother and a Jamaican father, Carby spent her youth navigating questions of race and nationality. She has called herself a 鈥渃hild of empire.鈥�

Imperial Intimacies聽is an 鈥渁utohistory,鈥� she says: 鈥淭he story of my family comes in and out of it. But it鈥檚 an archival project; it鈥檚 not a memoir. It鈥檚 a way of untangling the knots of connection between the British empire across the Atlantic.鈥� Verso will publish the book in the fall.

Carby has played an important role in shaping contemporary humanistic research through her trailblazing work on the cultural and political convergences of race, class, gender, and sexuality. A 1984 doctoral graduate of the Center for Contemporary Cultural Studies at Birmingham University in England, she helped to introduce the practice of cultural studies to scholars in the United States. Her experiences teaching high school in East London鈥攖o Afro-Caribbean immigrants and British-born students of color鈥攊nspired her first important publication, the essay 鈥淪chooling in Babylon,鈥� which was published in the highly influential book The Empire Strikes Back: Race and Racism in 70s Britain聽(Hutchinson & Co., 1982).

A faculty member at Yale since the mid-1980s, Carby is the author of Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist聽(Oxford University Press, 1987), Race Men聽(Harvard, 1998), and Cultures in Babylon: Black Britain and African America聽(Verso, 1999).

Her newest book 鈥渉as been percolating a long time,鈥� she says. She first conceived of it as an investigation of race, gender, and class in Britain after World War II. But her plan evolved: 鈥淚 realized I needed to go back through World War II, because I was dissatisfied with the way in which a lot of history imagines that questions of racialization only start after World War II.鈥� Her inquiries propelled Carby further and further into the past, and the completed book spans the period from 1750 to 1950. She considers how each of her parents were formed as imperial subjects and analyzes different facets of her maternal and paternal family stories, exploring their disjunctures and intersections.

Her father鈥檚 experience as a youth in 1930s Jamaica is the subject of her February 1 Distinguished Visiting Humanist public lecture, 鈥淒ifficult Times.鈥� Carby traveled to Jamaica鈥攚hich was captured from Spain by Britain in 1655 and became an independent member of the British Commonwealth in 1962鈥攖o compare the stories she鈥檇 learned from her father to the information she could find in written records. 鈥淭here are always at least two moments going at the same time鈥� in the book, she says, 鈥渢he recovery of the history and the history itself.鈥�

Raised by his great-grandmother in Jamaica鈥檚 capital, Kingston, Carby鈥檚 father would travel to the island鈥檚 north coast every summer. 鈥淗e鈥檇 say that they visited the Swift River and everybody there was named Carby,鈥� his daughter recalls. 鈥淚 tried to unravel that story in the archive鈥攁nd that鈥檚 when I came across the slave register.鈥�

Dating from around 1816, the register lists both the people who were enslaved and those who held them captive. Noted in the register is the name of the man who kept her ancestors as slaves, and her book grew to include his family story, as well as a history of the clerks who maintained the records of empire.

Carby argues that colonial accounting and account books played a vital role in efforts to justify imperialism, and she calls Imperial Intimacies聽鈥渁 reckoning, a different way of thinking about imperial accounting,鈥� which restores humanity to those whose lives are contained in the silences and assertions of an 鈥渋nhuman accounting system.鈥�

She also traces her mother鈥檚 Welsh family, particularly the women, through the 19th century, examining how they understood what it meant to be white, how that status benefitted them in spite of their own economic poverty, and 鈥渉ow they started to imagine that colonies, including Jamaica, actually sort of belonged to them.鈥�

Some of Carby鈥檚 forebearers lived in Bristol, England. Despite their lower-working-class status, they had a 鈥渟ense that they could progress,鈥� she says. 鈥淭he city of Bristol had a very rich civic culture, and they got their sense of belonging from it.鈥� But Bristol鈥檚 theaters, libraries, and educational institutions were made possible by wealth that came from refining raw sugar produced on Caribbean sugar plantations. The sense of opportunity experienced by her mother鈥檚 family was a product of the oppression of her father鈥檚.

In looking for the historical grounding of family stories and the larger story of empire they reveal, Carby made use of every piece of documentation she could get her hands on: records at the national and colonial archives in Britain and Jamaica, papers from Britain鈥檚 War Office and other military archives, property records, church records, census data, and more. But with the information she gleaned from them, Carby found far-reaching implications.

鈥淭here are complex ways in which people are inscribed into particular roles in history,鈥� she says. Her book is an effort to examine 鈥渉ow colonialism does that, how the process of imperialism actually produces people, in various ways, as racialized subjects. But none of these categories are ahistorical. They are produced鈥攁nd knowledge of others is produced within certain contexts.鈥�